tagged with queries

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If he literally pissed off the Devil in the process, he’d be standing on top of the Devil and urinating off him while simultaneously falling in love with a vampire whose soul he just replaced.

- Fragment of a query critique over at BookEnds, “Workshop Wednesday.”

(Source: bookendslitagency.blogspot.com)

‘Fiction novel’ is an automatic rejection. This is not a mistake I ever overlook. It’s not a typo. It’s a fundamental misunderstanding of what two words mean, and it’s a HUGE RED FLAG for bad writing… If you grew up in juvenile detention and murdered your first three husbands, stir fried your cats and enrolled your children in Fagin’s School for Thieves, I’m ok with it. The ONLY thing I care about is whether your novel is enticing. Sadly, it’s not. And it’s a fiction novel, so it doesn’t even really exist.

- The Query Shark (Janet Reid)

(Source: queryshark.blogspot.com)

In truth, there isn’t a single most common error that puts me off a query letter… It’s never about one thing in the letter. It’s about every facet of the query letter as a whole. And even then, if you put the same good query letter in front of 10 different agents, all 10 of them might have a different response. And some would ask for sample pages and the others wouldn’t.

- Kristin Nelson on what makes a successful (or unsuccessful) query letter.

I’ve sat down with a book editor and asked her how many pages she actually reads at the query stage, and she said, “Zero.” I got the same reply from a magazine editor. And two agents. Plus a publisher friend of mine. So what do they actually read when they get a query and manuscript? The cover letter.

And how much of the cover letter? The first sentence.

One sentence.

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Peter Brown Hoffmeister, on how the importance of the first sentence of a query letter has become greater than that of the first sentence of a novel.

The last time I met my with my agent she said she was a little stressed because she had 900 queries waiting in her email in-box. When I asked her how many queries she receives per week, she said, “600 to 700.” Per week. Writer’s Digest and online writers’ websites say that the first paragraph of the query letter should be a hook, be informative, and one sentence. This is standard. So you have a one-sentence paragraph to sell your manuscript.

Read more…

No, you’re not ready yet.

Literary agent Kristin Nelson conducted her “Agent Reads The Slush Pile” workshop at the Missouri Writers Guild Conference in St. Louis this past weekend. In it, she asked a writer to read aloud the first two pages of his manuscript intended for submission to a literary agent. If the first two pages were good, the writer read through. If she found an issue, where she would stop reading if in her own office, she said, “Stop,” and then explained why.

Kristin stated that 99.9% of what she sees in the workshop is not ready for an agent to read and this weekend only one submission made it past the first page. The majority of the others were stopped by the second paragraph.

The top ten problems:

1. Telling instead of showing.
2. Including unnecessary back story.
3. Loose sentence structure that could easily be tightened
4. The use of passive sentence construction.
5. Awkward introduction of character appearance.
6. Awkward descriptions/overly flowery language to depict.
7. Starting the story in the wrong place.
8. Not quite nailing voice in the opening.
9. Dialog that didn’t quite work as hard as it should.
10. A lack of scene tension even if the opening was suppose to be dramatic.

(Source: pubrants.blogspot.com)

NO NO NO NO NO NO. Do not ever OFFER exclusivity. It’s bad enough some agents ask for it, but do not ever OFFER first in a query letter. Exclusivity is almost never in your best interest. Don’t give up any advantage you get by querying widely.

- from Query Shark by Janet Reid.

(Source: queryshark.blogspot.com)

To be honest, even the crappiest (apparently word of the day) book should be getting requests because a good query, like a good car salesman, can sell anything. If you aren’t getting any requests on 20 queries (that means at least one request for every 20 queries you send), you need to rewrite your query. It’s not working.

- Jessica Faust, literary agent (BookEnds), in reference to an author who received 120 rejections on query alone (not one agent requested a partial).

(Source: bookendslitagency.blogspot.com)

Wasn’t naked this time

Last night I had a fragment-dream (there’s no beginning, and it’s the portion that comes right before any type of conclusion or end because I either wake up or switch dream channels). I stood up with others to walk to the front of a room to hand something to one person. I’m assuming we were all writers because I remember thinking “query.” The person who received the papers could have been an instructor or an agent. I didn’t see. But I felt complete horror as my eyes caught glimpses of other people’s pages as they passed my face in the realization that I had written very little, or completed the query wrong. I seem to remember using bullet-points.

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Requested material” is not what you put on something if I’ve said “sure, send a query.”  A query is never requested material. You don’t need permission to send me a query.

- Janet Reid, literary agent at FinePrint Literary Management.

(Source: jetreidliterary.blogspot.com)

Font size is one of those issues. Like penises, they can be too big, too small, or just right. 12-point is the standard, friend, don’t fuck with it. And don’t go all Boldoni or Helvetica on my ass either. Bring it in 12 point type, Times New Roman, double-spaced paginated pages because there is nothing uglier on the face of the earth than an agent who has reached over for a sip of her Numi ginger tea and dropped an unpaginated manuscript all over the floor.

- Betsy Lerner, literary agent, Dunow, Carlson & Lerner.

slushpilehell:

Not that I would compare myself to Hemingway, but if you read my novel, you’ll see that it’s as brilliantly simple as The Old Man and the Sea, as poetic as The Sun Also Rises, and as epic as For Whom the Bell Tolls.

Well, at least you didn’t compare yourself to Hemingway.

Who’s Hemingway?

Q&A from cmillerproject-deactivated20110

I'm actually writing a novel as well. Any tips on how to go about publishing it? I'll be keeping up with your page.

cmillerproject-deactivated20110

Hello, Alexander. That’s a good question.

I think the answer resides in what you want as a writer. For me, querying agents is the best way forward. It’s the harder route (vs self-publishing) but I think it’s also the more enduring route, one that has greater access and possibilities. 

This is not to say I think the self-publishing path is wrong. Again, it goes back to what you want. It’s a very viable method of publishing and has its pros and cons.

One day I may self-publish and that will occur when I’ve either:

  1. exhausted all avenues and consumed all of my energies and resources towards the traditional route, or 
  2. when I’m already published and have a motoring career, I will use it as a means to a new writing freedom, a change, an exploration in a Spinal Pap kind of way.

Best of luck, and I too will be keeping tabs on your progress.

Please, please, very, very much more…

slushpilehell:

If you do not care for my book premise, spare me, please, please, the smug, stock, pre-packaged rejection replies which are, oh so, very, very tiresome to read. A simple no is sufficient.

What a cute little man you are, and I’m sure you’re just loaded with talent. Unfortunately my prestigious literary firm could not possibly handle another client at this time, as we are in the midst of countless 7-figure negotiations for clients far more important than…

Oh, sorry. That was my smug, stock, pre-packaged rejection.

I’ll try to keep it simple: No. Your book blows.

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