Paulo Coelho Sells 99-cent eBooks
Is it me, or does it seem like he’s chasing something?
Remember this?
I make things up and write them down. I hope one day someone will read them and believe me, and then print out a copy for someone else to read. Until then, would you believe me if I told you
Is it me, or does it seem like he’s chasing something?
Remember this?
“Birth of a Book”
A short vignette of a book being created using traditional printing methods.
For the Daily Telegraph. Shot at Smith-Settle Printers, Leeds, England. The book being printed is Suzanne St Albans’ ‘Mango and Mimosa’ published as part of the Slightly Foxed series.
Shot, Directed & Edited by Glen Milner.
In January I got a call from my agent. She said, and I’m paraphrasing, ‘You’ve been getting death threats, and we need to show them to you. Legal has talked it over. If we don’t show them to you, and you’re not aware of them, then if something happens to you, we are liable, and your parents can sue us. So we’re going to send you a packet of these death threats, and you can look through them, and verify that you have seen them.’ That was a very interesting afternoon.
- Bret Easton Ellis on reactions to American Psycho.
(Source: theparisreview.org)
This is worth reading to familiarize yourself with details to look out for when signing contracts. Certainly, things have changed with the advent of the eBook, and because that world is still in flux, you’d be smart to keep on top of what’s happening in the industry should you find yourself about to sign on the line.
[UPDATE: article in WSJ, “New Fight Breaks Out Over Digital Rights to Old Books.”]
“Restaurant chain McDonald’s is to give away nine million copies of Michael Morpurgo’s Mudpuddle Farm books in its McDonald’s Happy Meals for children, as part of a promotion with HarperCollins Children’s Books.”
Sorry but not sure I could, without scruples, pair up with McDonald’s. It’s a zero sum game for kids. One nourishes the brain, the other destroys the body. Maybe the Belly Sauna would be a better pairing with a Happy Meal.
On the face of this, I rather like the idea of self-publishing through a Big Six’r and what it would have to offer in regards to quality and reach.
However, there will be a conflict of interests. Production and distribution are the only places I see safe comingling. Services performed before production have to be separate and delineated.
Wonder what literary agents will have to say…
Despite the swirl of anxieties people can get into about how to cope in the every changing world of literary commerce, getting published isn’t the ultimate challenge. Making good work is. The rest will take care of itself. Or it won’t. But if it doesn’t, you’ll still be an artist. Success alone won’t make you one.
- Adam Haslett, award winning author of You Are Not a Stranger Here.
(Source: thedaysofyore.com)
ineedyoutobreatheforme replied to your link: Debut novels are big business again. But what are…
why would you decline it?
[in reference to my comment, “Don’t know about you, but if an advance of six figures came my way, there’s a good chance I would decline it.”]
As attractive as the amount would be, because I could certainly purchase a large supply of Buffalo wings and whisky, I think the money would hamper my writing; I wouldn’t enjoy the immediate mountain of expectations placed upon my second novel, my writing career even. I’d rather earn out quicker and know that the publisher I’m working with is going to be a good partner for the long haul… some other arrangements could be made in lieu of the difference in cash. Buffalo wings, whisky.
In short, if we have to talk about career and money, I’d like the curve on my graph to take a more gradual climb. But ultimately, this hinges on my writing.
Quick read, then back to work.
“I wish more writers wrote in a major key,” says Jonathan Karp, publisher of Simon & Schuster. “Why anyone would write a novel and not want everyone to read it is a mystery to me.” As for the big advances, he says, “when publishers swing for the fences, I think that’s admirable. Does anyone want publishers to bunt?”
Don’t know about you, but if an advance of six figures came my way, there’s a good chance I would decline it.
[Of course, my wife may have something to say about it.]
You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You’ve been backstage. You’ve seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a romantic relationship, unless you want to break up.
- Margaret Atwood
(Source: Guardian)
Question: If hardcover books costs appx $3.50 to produce and you buy one for $30, what are you paying for?Answer: Words.
Another well-written piece about the publishing business from the Guardian. (Pay attention, NYT.)
With thanks to Roger Boylan.
When you agree on books, you agree on life.
-
A quote from “… a British editor [who acquired] nearly every project sent to her by a particular agent who was also a good friend. People in the industry seemed to resent the close relationship…” — Betsy Lerner in How Agents Operate and the important role of relationships between agent and editor/publishing house.
I think this quote extends beyond the editor/agent relationship…
(Source: pw.org)
Oliver works it on Tumblr, Beckett theme by Jonathan Beckett