tagged with publishing

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“Birth of a Book”

A short vignette of a book being created using traditional printing methods.

For the Daily Telegraph. Shot at Smith-Settle Printers, Leeds, England. The book being printed is Suzanne St Albans’ ‘Mango and Mimosa’ published as part of the Slightly Foxed series.

Shot, Directed & Edited by Glen Milner.

In January I got a call from my agent. She said, and I’m paraphrasing, ‘You’ve been getting death threats, and we need to show them to you. Legal has talked it over. If we don’t show them to you, and you’re not aware of them, then if something happens to you, we are liable, and your parents can sue us. So we’re going to send you a packet of these death threats, and you can look through them, and verify that you have seen them.’ That was a very interesting afternoon.

- Bret Easton Ellis on reactions to American Psycho.

(Source: theparisreview.org)

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Despite the swirl of anxieties people can get into about how to cope in the every changing world of literary commerce, getting published isn’t the ultimate challenge. Making good work is. The rest will take care of itself. Or it won’t. But if it doesn’t, you’ll still be an artist. Success alone won’t make you one.

- Adam Haslett, award winning author of You Are Not a Stranger Here.

(Source: thedaysofyore.com)

ineedyoutobreatheforme replied to your link: Debut novels are big business again. But what are…

why would you decline it?

[in reference to my comment, “Don’t know about you, but if an advance of six figures came my way, there’s a good chance I would decline it.”]

As attractive as the amount would be, because I could certainly purchase a large supply of Buffalo wings and whisky, I think the money would hamper my writing; I wouldn’t enjoy the immediate mountain of expectations placed upon my second novel, my writing career even. I’d rather earn out quicker and know that the publisher I’m working with is going to be a good partner for the long haul… some other arrangements could be made in lieu of the difference in cash. Buffalo wings, whisky.

In short, if we have to talk about career and money, I’d like the curve on my graph to take a more gradual climb. But ultimately, this hinges on my writing.

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You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You’ve been backstage. You’ve seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a ­romantic relationship, unless you want to break up.

- Margaret Atwood

(Source: Guardian)

The true price of publishing

scribnerbooks:


Question: If hardcover books costs appx $3.50 to produce and you buy one for $30, what are you paying for?

Answer: Words.

Another well-written piece about the publishing business from the Guardian. (Pay attention, NYT.)

With thanks to Roger Boylan.

When you agree on books, you agree on life.

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A quote from “… a British editor [who acquired] nearly every project sent to her by a particular agent who was also a good friend. People in the industry seemed to resent the close relationship…” — Betsy Lerner in How Agents Operate and the important role of relationships between agent and editor/publishing house.

I think this quote extends beyond the editor/agent relationship…

(Source: pw.org)

Oliver works it on Tumblr, Beckett theme by Jonathan Beckett