tagged with books

You can end a story in almost any way, as long as the ending is inevitable, satisfying, and logical. Yet, keep in mind the reader’s expectations, expectations for stories in general and your story in particular. Never forget that real people will be reading your work. Yours is not likely the first novel they’ve read, nor the first of the genre. They don’t read in a vacuum. They bring experiences with them, both from life and from reading other books.

- Beth Hill, fiction editor, from “Bad Novel Endings: Deliver the Payoff.”

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Maybe. You pick bits and pieces up along the way. But, you know, I would have been a bit that way myself. Picking up the voices now and again. I’ve experienced the odd hallucination of reality: out of nowhere comes the car that hits the bike. The feeling of: did that just happen? Or the bits of conversation that play in your head like a snatch of an old pop song that you can’t get rid off. Hangovers can give you that feeling of an altered reality. And, maybe life is one big hangover.

- Dermot Healy, when asked if he based Ollie Ewing (Sudden Times) on characters he encountered while working in London.

(Source: Guardian)

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Please pass the books

I came across this article, “Read ‘em and keep: what are the books to pass on to the next generation?” in The Guardian and thought about what I’d pass on… a difficult decision — who is the target, what would I want to convey, could I narrow it down to one favorite?

Which book, “classic,” would you pass on? and why?

Cover design by Chip Kidd.

By using a semi-transparent vellum for the jacket, and printing the woman’s image in a positive/negative scheme with the title on the outside layer and the rest of her on the binding, once the jacket is wrapped around the book it ‘completes’ the picture of her face. But something odd is definitely going on, and before the reader even reads a word, he or she is forced to consider the idea of someone going from one plane of existence to another.

Cover design by Chip Kidd.

By using a semi-transparent vellum for the jacket, and printing the woman’s image in a positive/negative scheme with the title on the outside layer and the rest of her on the binding, once the jacket is wrapped around the book it ‘completes’ the picture of her face. But something odd is definitely going on, and before the reader even reads a word, he or she is forced to consider the idea of someone going from one plane of existence to another.

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2040: Authors Will Become Like Tamagotchi.

Having determined that what readers want is a “sense of connection,” publishers will organize adopt-an-author promotions, repackaging writers along the lines of Webkinz and other imaginary pets. “Feeding” your favorite authors by buying their books will make their online avatars grow less pale and grouchy. If they starve to death on your watch you will lose social networking points. Book clubs will cultivate with their favorite writers the warm, fuzzy, organic bond a trainer develops with his or her Pokémon, a process that will culminate in staged fights-to-the-death between your author and the author sponsored by another book club. These fights will occur offline, since there will be one or two bookstores left and something has to happen there.

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from “The Future of Books,” by James Warner at mcsweeneys.net.

Click through to read about what to expect in 2080… vampires make a comeback.

Bi Feiyu, author of Three Sisters, wins the 2010 Man Asian Literary Prize.
“The author becomes the third Chinese writer to win the Prize in its four year history.”

Bi Feiyu, author of Three Sisters, wins the 2010 Man Asian Literary Prize.

“The author becomes the third Chinese writer to win the Prize in its four year history.”

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Oliver works it on Tumblr, Beckett theme by Jonathan Beckett