tagged with betsy lerner

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When you agree on books, you agree on life.

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A quote from “… a British editor [who acquired] nearly every project sent to her by a particular agent who was also a good friend. People in the industry seemed to resent the close relationship…” — Betsy Lerner in How Agents Operate and the important role of relationships between agent and editor/publishing house.

I think this quote extends beyond the editor/agent relationship…

(Source: pw.org)

So I’m walking my dog this morning and I run into a vague acquaintance who stops to chat, and leads with: so are books dead? Friends, remember, I was walking my dog. I had a plastic bag filled with warm shit. In other words, I was armed and dangerous. Are books dead? Bernard Malamud said book will be dead when the penis is dead.

Am I paraphrasing? I saw three people reading on Kindles on the subway today. I was desperate to know what they were reading, so I got over my shy-on and asked. One was reading Tolstoy, one reading Chekov, and one reading Dusty. What is the likelihood of that???  Tonight, I taught a class at Hunter and one of the attendees said she was reading my book Kindle. That gave me wood; c’est vrai.

- Betsy Lerner, literary agent.

(Source: betsylerner.wordpress.com)

In a PW rant last week, a famous writer said, “The Internet is not to blame for your unfinished novel: you are.” As far as I’m concerned, the internet was created to keep more crappy novels from crowding the in-boxes of bitching ass agents like me. From crowding the shelves of bookstores. From taking down trees. From becoming e and crowding the what? ether? I think the more the internet keeps people from writing the better. Thank you internet porn. Thank you E-Bay. Thank you YouTube. Thank you Mark Zuckerberg. Every minute you surf the web is a minute you don’t write something stupid and pathetic.

- Betsy Lerner, literary agent, Dunow, Carlson & Lerner.

(Source: betsylerner.wordpress.com)

So today, I was the distinguished guest at a Master’s tea at Yale. I was invited to talk about publishing, writing, agenting, the usual. I thought it would be really clever to eat a few “pop’ems” before I left the house. These are Entemann’s idea of munchkins, only a little more dense. Anyway, I like to show up for these gigs with a little white powder on my chest in case my cred is in question. Then I like to remind the kids that life is long, but not that long. That if they do enough drugs they will become great writers. And that getting published is like getting spit on. It’s exhausting being this inspirational.

- Betsy Lerner, literary agent at Dunow, Carlson & Lerner.

(Source: betsylerner.wordpress.com)

Font size is one of those issues. Like penises, they can be too big, too small, or just right. 12-point is the standard, friend, don’t fuck with it. And don’t go all Boldoni or Helvetica on my ass either. Bring it in 12 point type, Times New Roman, double-spaced paginated pages because there is nothing uglier on the face of the earth than an agent who has reached over for a sip of her Numi ginger tea and dropped an unpaginated manuscript all over the floor.

- Betsy Lerner, literary agent, Dunow, Carlson & Lerner.

One of the most important things a writer needs to learn is how to to separate information from analysis.

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Betsy Lerner, as heard by Janet Reid:

If you think of every rejection as an analysis of your work you’ll make yourself nuts.

If you think of the query process as simply as way to get information —which agent wants to read your book— you’ll make yourself less nuts.

(Source: jetreidliterary.blogspot.com)

… character is not best revealed through dialogue. Characters have to act.

- Betsy Lerner, Dunow Carlson & Lerner Literary Agency

You never know

  • Writer: Until July 3rd of this year I never wrote anything but prescriptions albeit good ones like valium and prozac. Since then I have been writing about my recent mid life crisis which involved me walking away from a big career as a psychiatrist in Canada to clean toilets in rural France (seriously). Now every single day someone tells me that my doodles would make a great book. I imagine this falls into the same category as everyone thinking they have good taste, a great sense of humor and excellent driving skills. My question is this. I have discovered that I love writing beyond all things but I have no idea if I’m any good or ‘marketable’ in any way so how does one test those waters? I know that you likely get a million emails like this every day but if you answer mine I’ll quid pro quo ya with 1 piece of free psychiatric advice. Desperate ploy I know.
  • Betsy: Here’s the deal. You are smart to recognize that everyone thinks they are good at driving, etc. You are also in good company: Eat Pray Tampon. Under the Tampon Sun, A Tampon by the Sea. There’s lots of precedent for women doing mid-life, peri-menopausal walkabouts. I think I’m about to embark on one myself. I think I’ll call it Moby Tampon. IDK. All that matters is the writing. And if you evoke that universal feeling of being stifled, of loveless marriage, of desperately craving to change, and hungering for something that might be called spiritual, along with a good Fourme de Montbrison and Pinot Gris, who knows you might have a major bestseller on your hands and a movie that grosses 44 mil domestic unless Meryl Streep plays you, in which case bump that to 112 mil.
Ask yourself, who is going to read my book. Actually, fuck that. Just write it.

- Betsy Lerner, “Here We Are Now, Entertain Us.”

I will always be a sucker for this: for words to take me away from me as they console me, to make me forget myself and remind me who I am, to be trustworthy and manipulative, to seduce and destroy, to implicate and complicate, to come alive.

- Betsy Lerner, Agent at Dunow, Carlson and Lerner Literary Agency

1 then 1 then 2

To build on Betsy Lerner’s post, check out Nathan Bransford’s post about the exercise of creating one-sentence, one-paragraph, and two-paragraph summaries of your book.

Save yourself the headache and come up with a one sentence, one paragraph, and two paragraph pitch before you even start to query. Then: practice and memorize your pitches. You never know when you’re going to need them.

Just imagine yourself at a party. You discover someone writes. You ask, what is your book about? They reply with a five minute plot description. I would guess that by the end of thirty seconds you find yourself wishing you were never born. Now imagine the writer responding, “It’s about a woman who kills her therapist.

- Betsy Lerner about why it’s a good idea to boil down the essence of your book into one sentence if you want to hook someone.

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