Want. “Mothers,” Tóibín writes, “get in the way of fiction; they take up the space that is better filled by indecision, by hope, by the slow growth of a personality, and by something more interesting and important as the novel itself developed. This was the idea of solitude, the idea that a key scene in a novel occurs when the heroine is alone… Thus her thoughts move inward, offering a drama not between generations, or between opinions, but within a wounded, deceived or conflicted self. The novel traces the mind at work, the mind in silence.” Read more of the review.

Want.

“Mothers,” Tóibín writes, “get in the way of fiction; they take up the space that is better filled by indecision, by hope, by the slow growth of a personality, and by something more interesting and important as the novel itself developed. This was the idea of solitude, the idea that a key scene in a novel occurs when the heroine is alone… Thus her thoughts move inward, offering a drama not between generations, or between opinions, but within a wounded, deceived or conflicted self. The novel traces the mind at work, the mind in silence.” Read more of the review.

22nd February 2012
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author colm tóibín essays new ways to kill your mother writer literature 
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